BLUE

Composer JEANINE TESORI | Librettist TAZEWELL THOMPSON

My Journey to Writing an Opera About Police Violence

Tazewell Thompson’s libretto for “Blue” tells the story of a black family struck by tragedy.

by Tazewell Thompson

June 20, 2020

Gioncarlo Valentine for The New York Times

Gioncarlo Valentine for The New York Times

When the opera “Blue” had its premiere last summer at the Glimmerglass Festival in Cooperstown, N.Y., Anthony Tommasini wrote in The New York Times that it featured “one of the most elegant librettos I’ve heard in a long time.”

Its author was the playwright and director Tazewell Thompson, who wrote the story about a black family — the father a police officer — that is torn apart when the son is killed at a protest by another officer.

In March, before several stagings of the work were canceled because of the coronavirus pandemic, the Music Critics Association of North America decided to award “Blue” its prize for best new opera. Announced on Wednesday, the honor is sadly timely as the nation is roiled by unrest over police brutality and race relations.

Read the full New York Times article here.

LINKS TO ADDITIONAL PRESS

MCANA Press

CLASSICAL VOICE NORTH AMERICA  - FEATURE

OPERAWIRE - FEATURE

OPERA NEWS - FEATURE

AMSTERDAM NEWS - FEATURE/INTERVIEW with Tazewell Thompson

AMERICAN THEATRE - NEWS REPORT

PLAYBILL - NEWS REPORT/PRODUCTION PHOTOS SLIDESHOW

BROADWAY WORLD - NEWS REPORT

SEEN AND HEARD INTERNATIONAL - NEWS REPORT

BECKMESSER - NEWS REPORT

REDDIT - THREAD

NPR - LISTEN

REVIEWS for BLUE

Review: Police Violence Reaches Opera in ‘Blue’

Anthony Tommasini, The New York Times

A Tragedy of Our Times

Heidi Waleson, The Wall Street Journal

Glimmerglass Festival premieres Blue, an exceptionally strong new opera about race in America

John Rockwell, The Financial Times

Blue Diversifies Glimmerglass Fare

James Sohre, Opera Today

Singing the Blue

Byron Nilsson, Words and Music

Moody “Blue”

Cameron Kelsall, Parterre

Glimmerglass Premieres Blue – A Story of America’s Ongoing Struggle with Race

Rick Perdian, Seen and Heard International

In Review: Blue

Vivien Schweitzer, National Sawdust Log

BWW Review: Am I BLUE at Glimmerglass? You Bet. But There Are Also Some Guilty GHOSTS, and, Oh that Notorious RBG!

Richard Sasanow, Broadway World

Glimmerglass Opera Tackles Racial, Class Issues

Liz Keill, TapInto.net

Sets, sights, singing equal Glimmerglass triumph

Geraldine Freedman, The Daily Gazette

A world premiere opera, ‘Blue,’ confronts the police shooting of a teenage boy

Soraya Nadia McDonald, The Undefeated

A New Opera at Glimmerglass Mirrors Parents’ Worst Fears

Brenda Tremblay, Classical 91.5 Rochester

Jeanine Tesori’s Wrenchingly Timely “Blue”

David Shengold, Gay City News

Review: “Blue” at the Glimmerglass Festival

Roseann Cane, Berkshire On Stage

Review: “Blue” world premiere @ Glimmerglass Festival, 7/14/2019

Joseph Dalton, Albany Times Union

Review: New Jeanine Tesori/Tazewell Thompson opera Blue at Glimmerglass Festival

Susan Galbraith, DC Theatre Scene

BLUE – REVIEW OF 2019 GLIMMERGLASS FESTIVAL PRODUCTION

James Karas, Reviews and Views