BLUE
Composer JEANINE TESORI | Librettist TAZEWELL THOMPSON
My Journey to Writing an Opera About Police Violence
Tazewell Thompson’s libretto for “Blue” tells the story of a black family struck by tragedy.
by Tazewell Thompson
June 20, 2020
When the opera “Blue” had its premiere last summer at the Glimmerglass Festival in Cooperstown, N.Y., Anthony Tommasini wrote in The New York Times that it featured “one of the most elegant librettos I’ve heard in a long time.”
Its author was the playwright and director Tazewell Thompson, who wrote the story about a black family — the father a police officer — that is torn apart when the son is killed at a protest by another officer.
In March, before several stagings of the work were canceled because of the coronavirus pandemic, the Music Critics Association of North America decided to award “Blue” its prize for best new opera. Announced on Wednesday, the honor is sadly timely as the nation is roiled by unrest over police brutality and race relations.
Read the full New York Times article here.
LINKS TO ADDITIONAL PRESS
MCANA Press
CLASSICAL VOICE NORTH AMERICA - FEATURE
OPERAWIRE - FEATURE
OPERA NEWS - FEATURE
AMSTERDAM NEWS - FEATURE/INTERVIEW with Tazewell Thompson
AMERICAN THEATRE - NEWS REPORT
PLAYBILL - NEWS REPORT/PRODUCTION PHOTOS SLIDESHOW
BROADWAY WORLD - NEWS REPORT
SEEN AND HEARD INTERNATIONAL - NEWS REPORT
BECKMESSER - NEWS REPORT
REDDIT - THREAD
NPR - LISTEN
REVIEWS for BLUE
Review: Police Violence Reaches Opera in ‘Blue’
Anthony Tommasini, The New York Times
Heidi Waleson, The Wall Street Journal
Glimmerglass Festival premieres Blue, an exceptionally strong new opera about race in America
John Rockwell, The Financial Times
Blue Diversifies Glimmerglass Fare
James Sohre, Opera Today
Byron Nilsson, Words and Music
Cameron Kelsall, Parterre
Glimmerglass Premieres Blue – A Story of America’s Ongoing Struggle with Race
Rick Perdian, Seen and Heard International
Vivien Schweitzer, National Sawdust Log
Richard Sasanow, Broadway World
Glimmerglass Opera Tackles Racial, Class Issues
Liz Keill, TapInto.net
Sets, sights, singing equal Glimmerglass triumph
Geraldine Freedman, The Daily Gazette
A world premiere opera, ‘Blue,’ confronts the police shooting of a teenage boy
Soraya Nadia McDonald, The Undefeated
A New Opera at Glimmerglass Mirrors Parents’ Worst Fears
Brenda Tremblay, Classical 91.5 Rochester
Jeanine Tesori’s Wrenchingly Timely “Blue”
David Shengold, Gay City News
Review: “Blue” at the Glimmerglass Festival
Roseann Cane, Berkshire On Stage
Review: “Blue” world premiere @ Glimmerglass Festival, 7/14/2019
Joseph Dalton, Albany Times Union
Review: New Jeanine Tesori/Tazewell Thompson opera Blue at Glimmerglass Festival
Susan Galbraith, DC Theatre Scene
BLUE – REVIEW OF 2019 GLIMMERGLASS FESTIVAL PRODUCTION
James Karas, Reviews and Views